This article is, for the time being, only available in Spanish: Cronenberg-Wagner y el subtexto musical de la relación entre Jung y Freud
NOTAS
MARCH 2012
Abstract
The opera genre, a descendent from Greek tragedy, has been chosen by many movie directors to show the pathos of ethical dilemma on screen. From the first references to Fritz Jahr and the cinematographic version of Wagner’s Parsifal, passing through Turandot and Tosca by Puccini, or Andrea Chenier by Giordano, there is a very large tradition of making use of music to delve into ethical complexities. A recent example is the broaching of the difficult subject of analytical transference put forward by David Cronenberg in the film “A Dangerous Method”, by way of musical subtexts offering different operas by Richard Wagner, the director provides a supplementary string to access the difficult relationship between Freud and Jung.
Key words: Opera | Jahr | Jung | Freud
This article is, for the time being, only available in Spanish: Cronenberg-Wagner y el subtexto musical de la relación entre Jung y Freud
NOTAS
Volumen 2 | Nº 1
Ética & Cine es una Revista Académica Cuatrimestral, editada de manera conjunta por:
Programa de Estudios Psicoanalíticos. Ética, Discurso y Subjetividad. CIECS (CONICET y UNC) y Cátedra de Psicoanálisis. Facultad de Psicología. Universidad Nacional de Córdoba.
Departamento de Ética, Política y Tecnología, Instituto de Investigaciones y Cátedra de Ética y Derechos Humanos, Facultad de Psicología, Universidad de Buenos Aires.
Con la colaboración del Centro de Ética Médica (CME), de la Facultad de Medicina, Universidad de Oslo, Noruega.