Table of Contents

• The eye of the camera and the rhetoric of the image Christian Bonnet
• The psychoanalytic clinic through cinema the suffering in the register of the singular (violence, psychoanalysis, cinema) Jean Jacques Moscovitz
• Emerge. The traumatic image in Gus Van Sant Paranoid Park | Gus Van Sant | 2007 Frédérique Hammerli
• Freudian metapsychology, cinematographic act Secrets of a Soul | Georg Wilhelm Pabst | 1926 Olivier Douville
• In the images interstices Los deseos concebidos | Cristián Sánchez | 1982 Esteban Radiszcz
• The subject of the trauma L’image manquante | Rithy Panh | 2013 Caroline Renard
• The hypothesis of the hidden painting Caché | Michael Haneke | 2005 Derek Humphreys
• Film Analysis: a Story of an Encounter and of an ethic Dimitri Weyl
• Mad Men and the reality of women: a historical analysis Mad Men | Matthew Weiner | 2007-2015 Lucía Busquier
• The melancholic position of Xavier Dolan’s camera in It’s Only the End of the World: Crossed looks It’s Only the End of the World | Xavier Dolan | 2016 Vladimir Broda - Michèle Benhaim
• Virtual image, real image Dunkerque | Christopher Nolan | 2017 Françoise Moscovitz
• Sigmund Freud as Spectator of Charles Chaplin. Identity in the Difference The Kid | Charles Chaplin | 1921 Juan Jorge Michel Fariña