This article is, for the time being, only available in Spanish: La ética prometeica en la película Oppenheimer: riesgo, incertidumbre y ambivalencias
NOTAS

Abstract
Our usual concept of ethics is usually associated with universal, stable, and non-contradictory principles. However, the human ethos is intrinsically dynamic, both due to the evolution of societies’ ideals and to unforeseen circumstances that sometimes surpass known moral norms and demand new courses of action. In this article, I will explain how these types of contradictions have been addressed in the myth of Prometheus and how its legacy has survived in Western tradition through literature, film, science, and its technological achievements. Specifically, I will explain how the myth is updated in the film "Oppenheimer." The objective is to show that in ethical matters, myth and science are not opposed, but rather complement each other, because scientific knowledge opens the doors to greater possibilities for action, which entails the need to broaden our evaluative horizons in the face of its consequences. This is where myth begins its pedagogical and instructive role, not so much to resolve dilemmas, but to show that moral systems and codes are not always flat and coherent.
Keywords: Prometheus | Oppenheimer | ethics | risk
This article is, for the time being, only available in Spanish: La ética prometeica en la película Oppenheimer: riesgo, incertidumbre y ambivalencias
NOTAS
Volumen 16 | Nº 1
MARCH 2026
March 2026 - June 2026

Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.