Journal de Etica y Cine

Volumen 09 | Nº 3

NOVEMBER 2019
November 2019 - February 2020

[pp. 25-27]

The agalma of Rome

Rome| Alfonso Cuarón| 2018

Universidad Nacional de La Plata

Abstract

This article works on the film Roma directed by Alfonso Cuarón (2018), inspired by the director´s childhood and the women who rised him. In this film, a woman from the Mexican aristocracy and her employee face distressing circunstances and invent a knowledge there, without men. Taking this situation as the axis, the work proposes to think about the agglutinating component in contemporary social link, taking the case of feminism as a symptomatic response to the discontents in the civilization, in its difference within the links that come from The-name-of-Father institutions.

Keywords: social links | anxiety | feminism | family | subjectivity

This article is, for the time being, only available in Spanish: El agalma de Roma

NOTAS

Editorial [pp. 7-8] Editorial
[pp. 9-11] The handmaid’s tale: psychoanalysis, feminisms and religion The handmaid’s tale | Bruce Miller | 2017
[pp. 13-16] Garbo laughs! Ninotchka | Ernst Lubitsch | 1939
[pp. 17-20] Love in the time of Disney princesses
[pp. 21-24] She’s gotta habit She’s gotta have it | Spike Lee | 2017

Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.

The agalma of Rome

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