This article is, for the time being, only available in Spanish: Bajo el signo de un dios salvaje: escenarios contemporáneos del superhéroe
NOTAS
JULY 2019
July 2019 - October 2019
Universitat Pompeu Fabra, España
ivan.pintor@upf.eduAbstract
Beyond their mythological dimension, the contemporary movie adaptations of the Marvel superheroes universe offer a pedagogy about the technological relationship between body and mutation. Throughout the history of the superhero comic-book, the myth has evolved from the original unfolding of the hero, double identity and mutation towards narratives related to the oneiric and also to a field of philosophical tension between transhumanism and the posthuman. This article takes a historical and conceptual journey through the superhero archetype to emphasize the assembly between the possibilities of comics and the cinema. Both the contemporary singularities of the mutant, on the one hand, and the unorthodox approaches to the superhero by the filmmaker Manoj Night Shyamalan constitute a philosophical, ethical and mythological investigation of the political, social and perceptive devices that accompany the legacy of this tradition born at the same time that the adventurous comic-strips of the thirties.
Key Words: Superhero | Mutant | Marvel Universe | DC Comics | Posthuman
This article is, for the time being, only available in Spanish: Bajo el signo de un dios salvaje: escenarios contemporáneos del superhéroe
NOTAS
Volume 9 | Nro 2
Super(hete)roes
Ética & Cine es una Revista Académica Cuatrimestral, editada de manera conjunta por:
Programa de Estudios Psicoanalíticos. Ética, Discurso y Subjetividad. CIECS (CONICET y UNC) y Cátedra de Psicoanálisis. Facultad de Psicología. Universidad Nacional de Córdoba.
Departamento de Ética, Política y Tecnología, Instituto de Investigaciones y Cátedra de Ética y Derechos Humanos, Facultad de Psicología, Universidad de Buenos Aires.
Con la colaboración del Centro de Ética Médica (CME), de la Facultad de Medicina, Universidad de Oslo, Noruega.