Editorial

Juan Jorge Michel Fariña
Edward-scissors-hands, one name of the father
Edward Scissorhands | Tim Burton | 1990
Fabián Schejtman
The threatened extimity
Cave of Forgotten Dreams | Werner Herzog | 2010
Ana Cecilia González
Les Misérables. Rewriting a symptom through filmic transposition
Les Misérables | Tom Hooper | 2012
Alejandra Tomas Maier, Claudio Pidoto
Melancholia: the intimate apocalypse and anxiety
Melancholia | Lars von Trier | 2011
Roger Mas Soler
Bullying: a tragic trap
Låt den rätte komma in | Thomas Alfredson | 2008
Cecilia Travnik
The Colonel Redl or the crime of master-signifier
Oberst Redl | István Szabó | 1985
Daniel Gerber
Montage in Cinema and in the Analytic Session

Albert Brok
The narrative of the non-phenomenological issue: recognition of the Other in film
Yo, también | Antonio Naharro, Álvaro Pastor | 2009
Mario de la Torre Espinosa
Pierrepoint: The executioner and the analyst’s position
The Last Hangman | Adrian Shergold | 2005
Alejandro Ariel



Volumen 4 | Nº 2

ediciones anteriores
VER TODAS LAS EDICIONES