Editorial

Juan Jorge Michel Fariña, Michèle Benhaim

Université Aix-Marseille / Universidad de Buenos Aires


The psychoanalytic clinic through cinema
the suffering in the register of the singular (violence, psychoanalysis, cinema)
Jean Jacques Moscovitz

Emerge. The traumatic image in Gus Van Sant
Paranoid Park | Gus Van Sant | 2007
Frédérique Hammerli

Freudian metapsychology, cinematographic act
Secrets of a Soul | Georg Wilhelm Pabst | 1926
Olivier Douville

In the images interstices
Los deseos concebidos | Cristián Sánchez | 1982
Esteban Radiszcz

the subject of the trauma
L’image manquante | Rithy Panh | 2013
Caroline Renard

The hypothesis of the hidden painting
Caché | Michael Haneke | 2005
Derek Humphreys

Mad Men and the reality of women: a historical analysis
Mad Men | Matthew Weiner | 2007-2015
Lucía Busquier

The melancholic position of Xavier Dolan’s camera in It’s Only the End of the World: Crossed looks
It’s Only the End of the World | Xavier Dolan | 2016
Vladimir Broda - Michèle Benhaim

Virtual image, real image
Dunkerque | Christopher Nolan | 2017
Françoise Moscovitz

Sigmund Freud as Spectator of Charles Chaplin. Identity in the Difference
The Kid | Charles Chaplin | 1921
Juan Jorge Michel Fariña

Dr. en Psicología por la UBA. Profesor Titular Regular Psicología, Ética y Derechos Humanos e Investigador Categoría I Programa UBACyT. Co-Director de Ética y Cine Journal, Aesthethika y JAHR Revista Europea de Bioética. Director del partenariado UBA del Centre d´Études du Vivant, Université Paris VII.