This article is, for the time being, only available in Spanish: Un Deseo ¿inclaudicable?
NOTAS
NOVEMBER 2022
November 2022 - February 2023
Abstract
This article is based on the series The Handmaid’s Tale (Miller, 2017), as a starting point to inquire about the proliferation of dystopian fictions in contemporary audiovisual productions, currently postulated as symptom and treatment of horror. Starting from the pain of existing inherent to the subjects of language, both mourning and melancholia are outlined as possible responses to the traumatic, either due to the very incidence of language on the body, or due to the events and contingencies to which it is related. it is exposed in a singular life and in society. A position that does not reject the trauma allows a mode of treatment to be delineated; that a desire and an ethical subject can arise there, to the detriment of the risk of its own disappearance.
Keywords Dystopia | extimacy | pain of existing | duel | melancholia | trauma | wish | ethics.
NOVEMBER 2022
November 2022 - February 2023
Ética & Cine es una Revista Académica Cuatrimestral, editada de manera conjunta por:
Programa de Estudios Psicoanalíticos. Ética, Discurso y Subjetividad. CIECS (CONICET y UNC) y Cátedra de Psicoanálisis. Facultad de Psicología. Universidad Nacional de Córdoba.
Departamento de Ética, Política y Tecnología, Instituto de Investigaciones y Cátedra de Ética y Derechos Humanos, Facultad de Psicología, Universidad de Buenos Aires.
Con la colaboración del Centro de Ética Médica (CME), de la Facultad de Medicina, Universidad de Oslo, Noruega.