This article is, for the time being, only available in French: La bataille du Chili : image, poésie, mémoire and Spanish La batalla de Chile: imagen, poesía, memoria
NOTAS
MARCH 2020
Maître de Conférences, HDRVolver a línea automática
UTRPP – EA 4403, Université Paris 13
Abstract
The trauma, by definition, leaves no traces in the psychic apparatus. This absence becomes even more complex when the trauma is linked to state violence, which leaves only shapeless, discontinuous and fragmented traces. When we are confronted with this type of experience, the construction of a movement-image as the basis of a narrative allows us to integrate these experiences, even that of the trauma, by deploying an individual novel, a memory and a collective myth of horror. However, it is not the simple reference to the image that this access to a narrative makes possible, but rather a fantastic-fictionnal one, shifted from any « ordinary sense » and which the narrative organizes by the "figuration" which it deploys around an enigmatic void. It is from the films in which the South African artist William Kentridge questions the function of the "memorial" in sites, sometimes forgotten, having witnessed the violence of apartheid, that I propose an approach to the mutation of registers that can be seen in the work of the documentary filmmaker Patricio Guzman, between the pure inscription of the image in "La batalla de Chile", up to the poetic montage of "Nostalgia de la luz". In this analysis, I propose a parallel between the poetic function of the movement-image and the question of fantasy in Freud, to then think about the notion of creativity, defined as the possibility of accessing life from primary shapeless traces by DW Winnicott.
Keywords: Trauma Coup d’etat | Memory | Image | Play
This article is, for the time being, only available in French: La bataille du Chili : image, poésie, mémoire and Spanish La batalla de Chile: imagen, poesía, memoria
NOTAS
Volumen 10 | Nº 1
Ethics, Aesthetics, and Politics
Ética & Cine es una Revista Académica Cuatrimestral, editada de manera conjunta por:
Programa de Estudios Psicoanalíticos. Ética, Discurso y Subjetividad. CIECS (CONICET y UNC) y Cátedra de Psicoanálisis. Facultad de Psicología. Universidad Nacional de Córdoba.
Departamento de Ética, Política y Tecnología, Instituto de Investigaciones y Cátedra de Ética y Derechos Humanos, Facultad de Psicología, Universidad de Buenos Aires.
Con la colaboración del Centro de Ética Médica (CME), de la Facultad de Medicina, Universidad de Oslo, Noruega.