This article is, for the time being, only available in Spanish: La ocasión perdida. Comentario a The lost daughter, de Maggie Gyllenhaal
NOTAS
JULY 2022
JULY 2022 - OCTUBER 2022
Universidad de Buenos Aires
lasale_2000@yahoo.comAbstract
Maggie Gyllenhaal´s film The lost daughter -an adaptation from Elena Ferrante´s novel “The dark daughter”- addresses the issue of woman´s desire as not reducible to the desire of motherhood, installing a conflict with other desires for personal and sexual fulfillment. The film can be read as a criticism to the social commandment addressed to women to dedicate themselves as wives and mothers. From this critique to the patriarchal order, the character of Leda is an Ibsenian heroine. But that aspect of the film is insufficient to explain her behavior. The scene in the beach of a young mother with her little daughter and her doll, forces her to reconsider her past decisions. There is an ignored dimension in her as a daughter, that opens us to the effects of maternal havoc on the mother-daughter bond.
Keywords: desire | maternal havoc | responsibility | guilt
This article is, for the time being, only available in Spanish: La ocasión perdida. Comentario a The lost daughter, de Maggie Gyllenhaal
NOTAS
JULY 2022
July 2022 - Octuber 2022
Ética & Cine es una Revista Académica Cuatrimestral, editada de manera conjunta por:
Programa de Estudios Psicoanalíticos. Ética, Discurso y Subjetividad. CIECS (CONICET y UNC) y Cátedra de Psicoanálisis. Facultad de Psicología. Universidad Nacional de Córdoba.
Departamento de Ética, Política y Tecnología, Instituto de Investigaciones y Cátedra de Ética y Derechos Humanos, Facultad de Psicología, Universidad de Buenos Aires.
Con la colaboración del Centro de Ética Médica (CME), de la Facultad de Medicina, Universidad de Oslo, Noruega.