Abstract
The definition of the feminine as jouissance constitutes the starting point of the article. Logic and consequence of such definition unfold, also the resonances with some authors of difference feminism. The film Candelaria, a latin american co-production and directed by Jhonny Hendrix Hinestroza, is taken as a reference to account for the difficulties of capturing the feminine jouissance, either through the gaze or any instinctual aspect as well as through language.
Keywords: feminine jouissance | Other | feminism | look
This article is, for the time being, only available in Spanish: Lo que arde en Candelaria es la vida
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