Alice… in Wonderland or Underland?
Alice in Wonderland | Tim Burton | 2010

Abstract:

The article takes Tim Burton’s film to work on the status of fictions in psychoanalysis, its value as an instrument to situate what is real at stake in a subject.
In this case, the chosen fiction goes beyond the myth model, being able to account in its narrative model — strongly crossed by a dizzying aesthetic — of a real symbolic and imaginary parity. It thus becomes a precious access route to work on the uncanny, especially in the analytical experience in childhood, but also being able to extend it to the experience of an analysis in general.

Keywords: fiction | ominous | real | enjoyment | singularity

This article is, for the time being, only available in Spanish: Alicia… ¿en Wonderland o en Underland?


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Volumen 13 | Nº 3

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