This article is, for the time being, only available in Spanish: Teorías Cinematográficas
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last update abril de 2025
Volumen 15 | Nº 1
Film Theories
Fundamentals, Evolution and Current RelevanceAntonella Carpio Arias; Instituto Superior Tecnológico José Ortega y Gasset, Ecuador, Galo Vásconez Merino; Universidad Nacional de Chimborazo, Ecuador
Abstract
Film theories are key tools for the epistemological inquiry of cinematography from its enunciation, message and reception. The purpose of this research is to provide a panoramic view of the evolution of film theories, from their classical foundations to contemporary currents, with an emphasis on reception theories. For this purpose, a bibliographic research using a theoretical-descriptive methodology is proposed. It is concluded that cinematographic theories have accompanied cinema since its very beginning and have been a fundamental piece for its understanding, discussion, but also for artistic creation. At present, theories focused on audiences predominate, without neglecting the enunciation and the message, but taking into account the prevailing social needs.
Keywords: Cinematographic theories | analysis | communication | reception | study
Volumen 15 | N° 1
MARCH 2025
March 2025 - June 2025
Table of Contents
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De Joker a Joker 2 Joker | Todd Phillips | 2019 - Joker: Folie à Deux | Todd Phillips | 2024 Eduardo Laso
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An ethical and psychoanalytic analysis from the origins of the myth Ícaro y el Minotauro | Carlo Vogele | 2022 Fernando González y Galán
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An imperfect wisdom The tragicomical wise figure in modern Italian cinema Francisco Javier Gurpegui Vidal
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Poetic constructions of cinema in extreme situations The cinema of the real by F. Deligny Derek Humphreys
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.