Freud and “cinematic intuition”: psychoanalysis, cinema and epistemology

Mireille Berton

Université de Lausanne, Suiza

 mireille.berton@unil.ch

Abstract

On the basis of a brief historiographic analysis, this article examines the network of relations between psychoanalysis and cinema by using a new method of inquiry that crosses these “twin” spheres from an epistemological perspective. The approach consists of questioning the way in which psychoanalytic theory is put into play in response to the cinematographic apparatus. This means examining the syntagm “psychoanalysis and cinema” on the larger field of the study of the episteme in which it is inscribed: an episteme which implicitly makes cinema function within the psychoanalytic field just as it liberates it from its “auxiliary” status.

Keywords: psychoanalysis | cinema

This article is, for the time being, only available in Spanish: Freud y la “intuición cinematográfica”: psicoanálisis, cine y epistemología


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Volumen 14 | Nº 2

JULY 2024
July 2024 - Octuber 2024

Indice