This article is, for the time being, only available in Spanish: El fin de la humanidad
NOTAS
ISSN 2250-5660 print | ISSN 2250-5415 online
ultima actualizacion noviembre de 2024
Volumen 14 | Nº 2 - July 2024
The end and the purpose of humanity
Interstellar | Christopher E. Nolan | 2014María Marta Preziosa
Pontificia Universidad Católica Argentina
mmpreziosa@uca.edu.arAbstract
This essay dares to hypothesize that the brothers Christopher and Jonathan Nolan were inspired by Joseph Ratzinger’s thoughts on hope when writing the screenplay for the movie Interstellar. Citations show six conceptual similarities between the 2014 film and the Encyclical Letter Spe Salvi published in 2007. These convergences address the following themes: scientific progress and moral progress, the social nature of hope, trust, love as salvation, the reunion with loved ones beyond time, and the victory of good and eternity.
Keywords: religious doctrines | film maker | movie | screenplay | moral philosophy | fiction
Volumen 14 | Nº 2
JULY 2024
July 2024 - Octuber 2024
Indice
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Acting: The mise en abyss in cinema as a resource of the analytical clinic Juan Jorge Michel FariñaEduardo Laso
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Eraserhead by David Lynch as a sequel to David Cronemberg’s Crimes of the Future. The subversive power of the Body-without-Organs Eraserhead | David Lynch | 1977 - Crímenes del futuro | David Cronenberg | 2022 Luis Ángel Campillos
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The femme fatale function in film noir and poetic realism Scarlet Street | Fritz Lang | 1945 - La chienne | Jean Renoir | 1931 Juan M. Dardón
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Heroicity as an arena of gender struggle. The case of the Robin Hood series Robin Hood | Dominic Minghella, Foz Allan | 2006-2009 Cecilia Luque
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Tarantino and subtle violence of ideology Rodolfo Vera García
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From Horror to Body Transmutation in The Cinema of David Cronenberg Shivers | 1975 - Rabib | 1977 - Scanners | 1981 - The Brood | 1979 - Videodrome | 1982 - The Fly | 1986 - eXistenZ | 1999 - Crash | 1996 Xavier Brito Alvarado
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Hypersonic Metals, Singing Insect Women, Symphonic Orchids. Hybrid Bodies Vermilion Sands | Crash | J. G. Ballard Franziska Humphreys
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The challenges of society through fantasy cinema: the role of the forest Errementari | Paul Urkijo Alijo | 2017 - Irati | Paul Urkijo Alijo | 2022 Ander Goikoetxea Pérez
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PSICOCINE: a space for the promotion of mental health in Camagüey, Cuba Pablo Hernández Figaredo
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Book Review A course on human rights on the big screen Los derechos humanos en el cine | Benjamín Rivaya García | 2024 Francisco Pérez Fernández
Ética & Cine es una Revista Académica Cuatrimestral, editada de manera conjunta por:
Programa de Estudios Psicoanalíticos. Ética, Discurso y Subjetividad. CIECS (CONICET y UNC) y Cátedra de Psicoanálisis. Facultad de Psicología. Universidad Nacional de Córdoba.
Departamento de Ética, Política y Tecnología, Instituto de Investigaciones y Cátedra de Ética y Derechos Humanos, Facultad de Psicología, Universidad de Buenos Aires.
Con la colaboración del Centro de Ética Médica (CME), de la Facultad de Medicina, Universidad de Oslo, Noruega.