This article is, for the time being, only available in Spanish: El fin de la humanidad
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ISSN 2250-5660 print | ISSN 2250-5415 online
last update agosto de 2024
Volumen 14 | Nº 2
The end and the purpose of humanity
Interstellar | Christopher E. Nolan | 2014María Marta Preziosa
Pontificia Universidad Católica Argentina
Abstract
This essay dares to hypothesize that the brothers Christopher and Jonathan Nolan were inspired by Joseph Ratzinger’s thoughts on hope when writing the screenplay for the movie Interstellar. Citations show six conceptual similarities between the 2014 film and the Encyclical Letter Spe Salvi published in 2007. These convergences address the following themes: scientific progress and moral progress, the social nature of hope, trust, love as salvation, the reunion with loved ones beyond time, and the victory of good and eternity.
Keywords: religious doctrines | film maker | movie | screenplay | moral philosophy | fiction
Table of Contents
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Acting: The mise en abyss in cinema as a resource of the analytical clinic Juan Jorge Michel FariñaEduardo Laso
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The subversive power of the Body-without-Organs. Eraserhead by David Lynch as a sequel to David Cronemberg’s Crimes of the Future Eraserhead | David Lynch | 1977 - Crimes of the Future | David Cronenberg | 2022 Luis Ángel Campillos Morón
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The Femme Fatale Function in Film Noir and Poetic Realism Scarlet Street | Fritz Lang | 1945 - La chienne | Jean Renoir | 1931 Juan M. Dardón
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Heroicity as an arena of gender struggle. The case of the Robin Hood series Robin Hood | Dominic Minghella, Foz Allan | 2006-2009 Cecilia Inés Luque
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Tarantino and subtle violence of ideology Rodolfo Vera García
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From Horror to Body Transmutation in The Cinema of David Cronenberg Shivers | 1975 - Rabib | 1977 - Scanners | 1981 - The Brood | 1979 - Videodrome | 1982 - The Fly | 1986 - eXistenZ | 1999 - Crash | 1996 Xavier Brito Alvarado
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Hypersonic Metals, Singing Insect Women, Symphonic Orchids. Hybrid Bodies Vermilion Sands | Crash | J. G. Ballard Franziska Humphreys
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Multiplication, An Outbreak of The Body The Relationship Between Cinema and Politics in Foucault’s thought Lautaro Colautti
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The challenges of society through fantasy cinema: the role of the forest Errementari | Paul Urkijo Alijo | 2017 - Irati | Paul Urkijo Alijo | 2022 Ander Goikoetxea Pérez
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PSICOCINE: a space for the promotion of mental health in Camagüey, Cuba Pablo Hernández Figaredo
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Book Review A course on human rights on the big screen Los derechos humanos en el cine ǀ Benjamín Rivaya García ǀ 2024 Francisco Pérez Fernández
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Review LATIMOS: A sound journey from the body to inspiration Latimos | Tamara Ajzensztat | 2020 Tamara Ajzensztat
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.