Psychoanalysis in cinema: firt session
Secrets of a soul | Georg Wilhelm Pabst | 1926
Roberto Saban

Abstract

This paper presents Sigmund Freud’s personal relation with the cinema and the relation of his work with it. The research of these encounters and Freud’s some reluctance with cinema of his time are explained from his biography. From this point of view, it can be explain the reason why Freud not use the cine compares with others arts. Finally, a relation between psychoanalysis and cinema is made clear.

Keywords: secrets of a soul | Freud and cinema | Freud and Abraham

This article is, for the time being, only available in Spanish: El psicoanálisis en el cine: primera sesión


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Volumen 4 | Nº 3

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