Abstract

Whatever Works (2009) is one of Woody Allen’s last films. The director attempts to make a pragmatic and vital proposal about love and its derivations, according to the 21st Century disbelief. However, he manages to transmit without a pesimistic resignation that "to make it work" between two people, doesn’t mean that it’s going to work like a food processor. It can rather limp humbly, as the main character of the film does. This abstract shows thoughts from psychoanalysis about the question of love, along with its most known thing: its scenes.

Keywords: Love | Conditions of love | Desire | Enjoyment | Sublimation | Details