Towards a critique of the human sciences
Salò o le 120 giornate di Sodoma | Pier Paolo Pasolini | 1975
Iván Gabriel Dalmau

CONICET - UNSAM

Abstract:

This article is intended to perform a reading of excerpts of the film Salò or the 120 Days of Sodom (1975) by Pier Paolo Pasolini, from a Foucaultian perspective. Basically, from the way Michel Foucault outlined the critical nature of their work, we will seek to problematize the inherent political nature to the production of knowledge concerning "human", for which we will focus on the Pasolini’s film.

Keywords: Foucault | Pasolini | Knowledge | Body | Human

This article is, for the time being, only available in Spanish: Hacia una crítica de las ciencias humanas


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Volumen 6 | Nº 2

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