Journal de Etica y Cine

Volumen 06 | Nº 2

JULY 2016

Towards a critique of the human sciences

Salò o le 120 giornate di Sodoma | Pier Paolo Pasolini | 1975

CONICET - UNSAM

Abstract:

This article is intended to perform a reading of excerpts of the film Salò or the 120 Days of Sodom (1975) by Pier Paolo Pasolini, from a Foucaultian perspective. Basically, from the way Michel Foucault outlined the critical nature of their work, we will seek to problematize the inherent political nature to the production of knowledge concerning "human", for which we will focus on the Pasolini’s film.

Keywords: Foucault | Pasolini | Knowledge | Body | Human

This article is, for the time being, only available in Spanish: Hacia una crítica de las ciencias humanas

NOTAS

The Danish Girl The Danish Girl | Tom Hooper | 2015
The fabric of the frame, to the screen, through dresses The Danish Girl | Tom Hooper | 2015
There are no two without three El Tercero | Rodrigo Guerrero | 2014
Men, women and children Men, Women & Children | Jason Reitman | 2014
Shame, un film-que-nombra Shame | Steve McQueen | 2011
Biopolitics and Sex Work Elles | Malgorzata Szumowska | 2011
Almodóvar and Trans politician. Footnotes page La mala educación | Pedro Almodóvar | 2004
The sex’s choice XXY | Lucía Puenzo | 2007
You must, you can, you should be able Masters of sex | Showtime | 2013-
Stopwatches not have sex Masters of sex | Showtime | 2013-

Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.

Towards a critique of the human sciences

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